Member Reviews: NAJGA In Minnesota, New York and North Carolina

NAJGA members Anita Royer and Emily Fronckowiak share their experiences as participants in the three regional NAJGA events held this year in Minnesota, New York and North Carolina. 

Anita Royer Doug Schneible
NAJGA members Anita Royer and Doug Schneible

As fall’s colors began unfolding, we looked forward to a stimulating New York Kykuit NAJGA symposium and garden tour.  We were not disappointed. What we experienced was simply “over the top”!  Fabulous knowledgeable speakers, coupled with an abundant sharing of historic, unique, and useful information not to mention awesome tours of some of Northeast’ finest Japanese gardens made it a spectacular event.

If you like Japanese gardens, if you like to rub elbows with fellow Japanese garden comrades and to learn more about America’s historic and surprising Japanese gardening beginnings, you won’t want to miss the next one. Kudos to Ken, Jeannette, Kim, Cynthia, and Brian, among many others for staging an unforgettable two days!

Anita Royer  / Schneible Fine Arts

Emily Fronck
Emily Fronckowiak

This summer, I had the good fortune of attending two of NAJGA’s workshops: “It’s All in the Details” skills and development workshop held last August in Minnesota’s Como Park Zoo and Conservancy, and “Branching Out in the SouthPruning Small trees and Shrubs in the Japanese Tradition” just this October in North Carolina’s Sarah P. Duke Gardens.

What a treat! I saw friends, made new ones, and thoroughly enjoyed visiting a number of wonderful Japanese gardens I had never been to. Both gardens are as well fostered as many others we toured.

Attending two workshops in the same year had great worth for me. The speakers were all different and I value the diverse teaching styles. Some practice their craft by following Japanese garden standards as done in Japan, and others are crafting an Americanized approach, coined as ‘aesthetic’. Aesthetic Pruners seem to have a sensitivity for their work and consider the client, garden designer and essence of the tree or plant in their practice. Both methods show respect for gardens and themselves which I am happy to be a part of.

I value the heart and support of the members of NAJGA and recommend attending regional tours and workshops in addition to the biannual conference as a line to inspiration and staying tapped in and turned on to all there is learn and grow.

Emily Fronckowiak / Designer and Aesthetic Pruner

Member Reviews: NAJGA In Minnesota, New York and North Carolina

Lighting Up the Japanese Garden At Night

Hiroshi Kira

As darkness cloak the garden earlier and stay on longer in autumn and winter, we catch up with NAJGA business member Hiroshi Kira of HK Lighting Group to get some insights about the possibility of extending our time spent in the Japanese garden during the shorter days of the year through the discreet and appropriate use of evening lighting.

NAJGA: What do you think has been the value / role of evening lighting in the Japanese gardens of yesterday and of today?

HK:  In ancient Japan, the garden evolved as philosophical expression of Buddhist monks who traditionally designed gardens in an abstract way, based on their imagination, symbolism and a series of thoughts originating from Shinto and Zen philosophies. A suitable definition of a Japanese garden would be: “The garden is not part of the structure (dwelling), but the structure is part of the garden.”

Andon in Portland Japanese Garden 002

Japanese gardens create a harmony between the human mind of the designer and the cultural experience of the participants. Since there were only limited light sources available in the past, Japanese gardens were primarily designed for experience of reflection and enjoyment during the day and on moonlit nights. They were also illuminated by oil lamps used in stone lanterns that were located as part of the gardens. In particular the moonlight created a play with shadows and light, accentuating parts of the garden differently at times, constantly changing as it wandered across the night sky. The effect was a natural, tranquil and harmonious atmospheric lighting against the backdrop of the dark night sky.

Today’s Japanese gardens still serve the same philosophical purpose, and since artificial lighting was not used traditionally in the gardens of the past, lighting gardens with modern luminaires has to take a subtle approach ( i.e. luminaires that are invisible during daytime), so as not to disturb the design ideas created the Japanese garden, and the harmony of the design and its cultural experience.

Any lighting designer is required to understand the essence of a Japanese garden first and have the necessary sensitivity while accentuating the lighting design. Words like soft scenic lighting, calmness, tranquility, and subtlety come to mind for the right approach.

NAJGA:  How does your company meet the lighting requirements of Japanese gardens today? What products / services are particularly suited for their purposes?

HK:  During the early time of the Japanese gardens, the moon and some fire-based lights were the main sources for the gardens after sunset. In this day and age, we have many sources of artificial light, including LED. The man-made provenance of such lighting is significant. From a philosophical perspective, we can conclude that, if humans are an integral part of nature, man-made light sources are also natural tools to provide light in contemporary Japanese gardens.

Andon with cherryHowever, we have to be vigilant about how to utilize these lights in order to preserve the original philosophy of the Japanese garden when it was designed. It is our belief that the lighting designer for a Japanese garden should not imitate the garden as it appears in day light, but rather recreate the same harmony and subtlety as on a moonlit night, bringing out the essence of the Japanese garden as if it were a stylized Japanese woodblock print.

We offer eclectic selections of luminaires to assist the professional lighting designer in realizing their design ideas to the fullest. These compact luminaires are highly adaptable and adjustable to minimize visibility during daytime. A wide range of accessories will assist the lighting designer in using light in a focused way, while avoiding trespassing light and glare or spillage issues. The end result is the creation of a subtle, scenic lighting effect.

NAJGA: Can you describe the lighting design philosophy / approach that you observe in your work with Japanese garden clients?

HK:  Commercial reasons increasingly encourage the use of Japanese gardens at night, and even on nights without much moon light, But the garden owners have strong ideas about making their garden usable at night, professional lighting designers and manufacturers of luminaires who wrongly apply lighting will ultimately disrupt the desired effect of realizing a sense of peace, harmony, and tranquility. In the deepest sense, it is the experience of the feeling that we are a part of nature that needs to be maintained through lighting.

Professional and sensitive lighting designers observe certain lighting principles when illuminating a Japanese garden. These principles are:

  • Andon in Portland Japanese Garden 003Illuminate so expertly so you never see the source of light.
  • Install luminaires elusively.
  • Create subtle garden lighting to prevent nighttime obscurity.
  • Create nighttime magic in harmony with the essence of a Japanese garden.
  • Don’t mimic daylight. The mantra is to use more fixtures and less wattage, for an effect that’s subtle and harmonious at night, so that one always feels part of the environment, not overpowered by it.
  • Help people feel comfortable outside in the dark, defining a garden’s boundaries, shape and volume with washes of light.
  • Light pathways just enough so you can see them safely.
  • Respect the night sky; it doesn’t take much night lighting for effect. Think about the full moon, which doesn’t give all that much light, but is sufficient.

NAJGA: Can you provide some examples of Japanese gardens you’ve worked with? Please describe how you worked with them and what products / services you provided?

Andon in Portland Japanese Garden 001HK:  For the Portland Japanese Garden, the objective was to have a portable luminaire that could be placed in specific areas of the garden and buildings during summer events, but removed afterwards so that the garden can once more purely revel in the glow of a moonlit sky. At the beginning of the process to develop the luminaire with the required function, we researched about the lights that have traditionally been used in Japanese gardens and found an example of portable lantern called a “roji andon” (tea garden lamp) which has the same function required for Portland. The roji andon is used as a path light in the tea garden after dark and provides a mild brightness to the periphery through washi paper.

Our challenge was to refine the traditional idea of the roji andon as a contemporary lighting product without losing the quality of the original. The developed luminaire is composed of weather-proof materials such as pre‐oxidized metal, oil‐stained wood, acrylic shade and using LED bulbs as the light source with rechargeable battery to provide portability and flexibility as required. The light from the luminaires contributes an effect of both solemnity and festivity at the Portland Japanese Garden.

NAJGA:  Aside from Japanese gardens, what are some of the most notable garden / outdoor installations your company has done?

  • Evening Island at the Chicago Botanical Garden (Lighting Design: Jan Moyer Design)
  • Disney Resorts, Orlando, Anaheim and Hawaii (Lighting Design: Lighting Design Alliance)
  • Garden by the Bay, Singapore (Lighting Design: Lighting Planners Associates)
  • NagaragawaRiver Cherry Promenade, Japan (Lighting Design: Kilt Planning)

Chicago Botanic GardenEvening Island at the Chicago Botanic Garden

Lighting Up the Japanese Garden At Night